The office is quite spacious and allows me to perform a variety of camera shots within it. It is also has various electrical outputs incase I need them for camera equipment usage. The dominant red colour seen is simliar to the red within Drive when Driver visits Cook at the strip club. The use of red through cinematography can be noted in The Departed, Brick and Drive - all being neo-noir like the stills I am going to produce. Lighting can also be well controlled here with curtains, natural and artificial lighting all available to help achieve the chiaroscuro lighting that is in: Double Indemnity, The Maltese Falcon and Sunset Blvd. |
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